https://www.iql-nog.com/2025/01/19/g6flmant23 Taboot! Awesome. (thanks to Jon Weber for this one)
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https://www.iql-nog.com/2025/01/19/g6flmant23 Taboot! Awesome. (thanks to Jon Weber for this one)
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click posting this one for the other Animal Collective fans. lolz.
go Called “Bowlive” http://bit.ly/7Y64im good times.
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see The Muppets: Bohemian Rhapsody [YouTube]
source That said, I think I am still partial to classical Beeker:
go to link Although I am excited for my recent foray into the world of Live Music 2.0, I am also very pleased with another column I recently posted over at Live Music Blog and had been thinking about for quite some time:
follow link Phish Friday: An Open Letter to Phish and Red Light Management
(aka We Need a High-Quality Paid Webcast for Phish Concerts)
I definitely felt I made some good points and did my research, but I was honestly taken aback at the response — both in terms of commentary and site traffic — that this post generated. Also, while it specifically addresses Phish and their fan base, I think there are aspects of my arguments that could be made for any number of large and mid-tier touring acts out there today.
~~~
Here’s a brief intro:
After witnessing the evolving and ever-expanding online activity surrounding Phish’s recent reunion tour, I’m now thoroughly convinced that the Phish fan base is primed and ready for a high-quality and paid live video stream for the band’s next tour. If done properly and in innovative Phish fashion, it could create an untapped revenue stream for the band while allowing more Phish fans to engage with the band’s music – in particular those fans that can’t make it out to every show on tour.
Given the band’s recent history of wanting to scale down their in-house operations, I could see why you might think that a large-scale paid webcast would not be worth the large investment and effort it most certainly would require. But it’d be wrong to think so. There are some very compelling reasons why this should happen now and why Phish is the band to do it.
~~~
Just last week, I finally posted a column over at Live Music Blog that I’ve been thinking about for a long time. It’s really just an introduction to a topic/concept, but I am really excited about where this one is going:
Live Music 2.0: Concerts and the Social Web
Here’s a brief intro:
Over the past few years, as this whole web 2.0 thing has really grown and progressed, we’ve seen a number of new sites launch that are specifically geared towards live music fans on the web. In a sense, all of them exist to help fans track and follow their favorite touring bands/artists in a variety of ways, but with a focus on their live shows rather than their studio output (which is amply covered by a slew of Music 2.0 sites and services).
While a lot of these sites have not yet emerged into the larger music business landscape, there’s no doubt in my mind that web technologies in general will continue to affect and disrupt the live music space, as they’ve already been doing quite drastically with the recording industry. Back when I was able to dedicate more of my free time to Live Music Blog, I was really interested in exploring this space in depth. Although we have occasionally posted about some of these sites — mentioning iLike.com and ShowClix or talking up the latest feature from JamBase — we’ve never really focused on them directly as a key topic. We’d like to change that. Since we are a site dedicated to live music, it only makes sense to look at the related web services and sites that serve all of US as a community of fans. I’d like to finally re-visit my original idea and dig a bit deeper into all the sites and services that form what we call “Live Music 2.0.”
More (and much more to follow) over at Live Music Blog.
I still had a few fun food photos left on the camera from the end of the summer, so I thought I’d do one last summer photo round-up for the site. Yum:
Perfect Pastrami from Katz’s Deli
I started digging back into some old loops I created earlier this year on my Digitech Jamman loop pedal. I’d forgotten some of the cool thematic/melodic stuff I put together, so I thought I’d post a couple sample tracks.
Unfortunately, on these samples, the lead guitar tone doesn’t get the much-needed reverb from my amp and the mix isn’t exactly perfect. But for simple one-time loops that were created on-the-fly, I think these are pretty solid and have some decent potential for full songs:
Someday, I’ll finally get this home studio set-up properly and give these themes more of a full-song treatment.
By the way, both loops have a bit of a lullaby feel, hence the name of the post.
I finally made my triumphant return to Live Music Blog, after a fairly long hiatus due to all our moving chaos earlier this summer. Since I was lucky enough to catch a few Phish shows this summer, I decided to collect what I thought were the best improvisational segments from all of their summer shows. I mixed them all together DJ-style, and we just posted the mix as our latest podcast on LMB:
here Podcast #065 | Best of Phish Summer ‘09 Improv
I’ve had various friends comment on my mixes, suggesting that they’re great workout and/or study music (since a lot of these are similar “improv-only” mixes of all instrumentals). So even if you’re not a Phish fan, you might like this for studying if you find music with vocals distracting. Of course, if you are a Phish fan, I think it goes without saying that you’ll dig the mix.
This is our 65th podcast, so there are obviously a bunch of others in the archives. Check ’em out here: Live Music Blog Podcasts.
Enjoy!
I didn’t originally intend for this site to be so food-oriented, but we’ve been having so much fun with the food photos lately, that I had to post an update. Between our last days in Charlottesville and our first days in Brooklyn, we’ve had (and captured) some great meals, so I thought I’d continue the “food photo porn” trend and post a little wrap-up…
NYC-Brooklyn:
Out on Long Island w/ the MACdonalds:
Last Days in Charlottesville:
Wow, I think I made myself hungry (and thirsty!).
Cheers!